Ema is a very attractive but innocent girl. Young marries Dr. Carlo Paiva, who she is not attracted to. They move to the Valley of Abraham. Carlo loves her, but sleeps in a separate room. With time she begins to feel unhappy about her marriage, so she takes a lover.
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Some films present ‘slices’ of life, others recreate it fastidiously as exquisite platonic solids that leaves one wondering about their perplexing connection to fact. The question is more burning with some films than others and it’s not a new one - there was a time in Renaissance when the unsettling beauty of found Ancient sculpture was seen as too much to assign to human hand alone, so nature was literally thought
do we think of white when we see black, of the sun when we see the moon? associations through opposites. a burning desire wrapped in austerity, breathing between cold walls of earth-brown color. "i´m nothing, i'm a swinging state of mind".it´s not boredom, it's a feeling of being beaten whatever you do. willing to recognize ancient fires in caves in modern fireworks, but left frustrated. there´s energy but it´s like
The narrative is often confused; the film is full of ellipses that the viewers need to fill. A great complex and very personal adaptation based on one of the finest novel of all time. Strong and nuanced performance by Leonor Silveira, excellent but difficult to grasp screenplay, beautiful cinematography, many absurdity, anachronism!!! and funny reference to Madame Bovary. (need second VHS viewing)
Poetic saga about the life of a portuguese girl since her youth until the days as a mother, passing through marriage crises, extramarital affairs and an unexpected ending. Incredible scenery, extremely intelligent dialogues and beautiful costumes. Leonor Silveira was a great surprise as the ruthless Ema. Highly recomended to fans of family sagas with a touch of feminist sensitivity.
Manoel de Oliveira reaches here the peak of his artistic style, showing the maturity of a cinema that belongs to the latter classical tradition. This subtle and delightful game of mirrors revolves around a flawless performance by Leonor Silveira, and constitutes one of the most elaborated —yet simple— aesthetic achievements of this unforgettable filmmaker.
"Sabe-se lá quando o coração sofre ou ganha carvão para manter o calor".
A primeira vez que a minha filha se ergueu sem apoio para ver quem tocava o violino. Uma eterna saudade de um tempo que mais não volta, de um país que existe nos cantos de uma memória distante.