In northern Australia at the beginning of WWII, an English aristocrat inherits a cattle station the size of Maryland. When cattle barons plot to take her land, she joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the country’s most unforgiving land.
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I seriously spent hours wondering why it doesn't work: Baz' overreaching vision. He wants to achieve a lot, as seen by the many moments that recall those big sprawling epics he set out to make. The story is the weakest part, an egregious mix of genres that does not work. The cinematography was bad. There were a lot pf composed shots. If you can't shoot it, then having to do it with CGI feels like a cop out.
A bloated and overblown yet watchable tribute/parody of Australian tourist kitsch with a charmingly silly, bizarre sense of humour about itself and its cartoonish, almost vulgar melodrama. How anyone could take this seriously is beyond me (hell even Nicole Kidman knowingly takes the piss out of herself and her frigid public image).
Translates many classic Hollywood tropes to Australian settings deftly; basically, this movie is shot to stand beside such things as Giant, North to Alaska, and From Here to Eternity, which is unfortunately a dramatic style we've grown out of. Possibly not intended, but points out that Hollywood could have easily had its geographic incentives in that continent as well as the North American. --PolarisDiB
C'est un très beau film. plain de beauté. les acteurs sont super et le coté visuel est au top. mais le meilleur du film c'est le sentiment d'une femme qui apprend à être mère. la beauté de cet immense amour maternel, qui aime jusqu'à laisser libre....