In this symbolic tragedy, two men and a woman act like children in the aftermath of war. They care for each other but often revert to selfishness, as all social structure and morality have been shattered by the conflict.
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Strictly speaking, this unscrewed film doesn't interest me, but a viewer should take account of the context, historical and social, in which the works are originated and in that sense i am interested in it as an allegory of a libertarian act, a sincere expression of an intention and its contemporary artistic expression - Soviet dictatorship, 60s agit prop & happenings. I do not like, et lasse, the expression itself.
69 erotic year. Noot much sex in this happening movie. This is sympaczech, nothing more. But today it has aged. === 69, année érotique. Bon, pas grand chose d'érotique dans ce film-happening. C'est sympathchèque, sans plus. Aujourd'hui ça ne casse plus 3 pattes à 1 canard.
A freewheeling assault on shibboleths great and small, made in the wake of '68's murdered Spring (and including brazen desecration of Slovak national hero Milan Štefánik), BIRDS, ORPHANS AND FOOLS has to be in the running for most subversive divertissement ever directed by a white man. It is tapped into what Věra Chytilová was tapped into, and you may also think of Żuławski's most crazed, unimpeded whirlwinds.
An interesting play on estranging oneself from the madness of the world (and the shadow of the USSR) through foolishness and apparent nonchalant attitudes, similar to Chytilova's "Daisies." “Birds, Orphans and Fools” is yet another classic of the obscure Czech new wave that brings you under into potent yet nuanced blissful delirium. 'Only madness guarantees that you won't remain unhappy.'
Si l'oeuvre fourmille de trouvailles surréalistes et drôles, de superbes pataquès en dérives farfelues, on ne s'empêcher de voir, derrière le masque de l'hilarité et de la fantaisie forcenées, un profond désespoir existentiel, une indéniable déchirure de l'âme et du quotidien... www.cinefiches.com