Philip K. Dick’s dystopian Do Androids Dream of Electric Sheep? takes place in a neo-noir LA. Blade runner Rick Deckard wanders the urban slums lit by neon propoganda hunting down replicants that have assumed human likeness. Meanwhile the rest of humanity looks for haven in off-world colonies.
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The first time Blade Runner eked its way to a 5 for me is also the first time I saw it on the big screen. No one questions its visionary imagery, but some modern viewers are left cold, like Scott smothered a good story by overwhelming the plot's vital moments with art direction and sound design. But see it in a theater, and you'll be overwhelmed too. Controversial realization: Deckard as a replicant makes no sense.
This film transcends a flawed, sprawling narrative - the mise-en-scène is a masterclass, the post-noir dystopian context a delight, and Rutger Hauer and Daryl Hannah play their parts with haunting believability.
The 4 stars is for the version I saw. WITH the narration. Not the director's cut. Or the final final director's cut. Rutger Hauer out acted everyone including Harrison Ford. The idea that Deckard is a replicant is missing the point of Batty's speech. I don't care what the director thinks.
Even 2001 doesn't quite reach this level of monstrous detail. In everyway this feels like the film that Scott was born to make and the one he's been living in the shadow of ever since. Everything is dying in this vision, nature is by all means extinct, man has been replaced by his creation and the corporations have become Gods of this brave new world. A marvellous blend of past and future that hasn't met it's match.
The set design is fantastic, particularly the way buildings seem to emerge from all angles and the city's edges fade into an abyss. When visiting the the film recently, I found the narrative plodding and uninteresting. Blade Runner is a film worth watching, but when it comes to dystopic, neo-noir science fiction, I prefer Ridley Scott's other classic Alien.
This dystopian masterpiece is one of the most influential movies in modern cinema history. It defined what sci-fi would be over the next decades. The photography is brilliant, the soundtrack by Vangelis feels epic and Deckard, Rachel and the Replicants are so cool. No wonder some are still talking about a return to this universe, even Scott himself for what's being said.
The penultimate scene has something. Something that the rest of the film hasn't. Maybe it's emotion, bona-fide human emotion. Maybe it's something else, but it is that scene and that scene alone, that I felt, or cared about.