A complex portrait of a married couple who have reached an impasse in their relationship. Plagued by memories of their amorous courtship, Dean and Cindy use one night to try and save their dissolving marriage.
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The ring in the grass scene is one of the most moving in cinema. This romantic dystopia is bruising but strangely beautiful all at once. Definitely not a date movie, but a deeply sincere reflection on the nature of damaged love.
Well preformed and beautifully filmed but the editing makes it seem as though these characters exist without a present; even though the movie is ostensibly present day/flashbacks, it feels more like you're seeing a halcyon past and a bleak future juxtaposed with little context and that sometimes makes it hard to feel as involved as the film seems to think you should.
You can see Cianfrance's search for honesty and purity here; the focus on the natural juxtapositional states of a couple in a state of bliss, tension, and in their hopelessness translated into film: living. The film excels when it tries to do nothing more than show "events" - akin to Cianfrance's favourite film, Julien Donkey-boy. B.V. assures us that Cianfrance's future work is something to eagerly anticipate.
"How do you trust your feelings when they can just disappear like that? " This quote sums it all. A beautiful and also awful insight of an up-and-down relationship in equal measures. The chemistry between Gosling and Williams are pitch perfect.
Love his surname though: Sounds like chan (cian)+france: so it's like chan (Cat Power's MARSHALL <3) plus France (my second most favourite country in Europe, after my homeland). This is like adding 2 loves in one's surname and then adding it to the actual name of a great great great great GREAT film-maker. I deeply thank this man for one of the most rewarding film experiences I've had had in recent years. *bows down*
sublime. this film was refreshing and surprising in how dark it was willing to go. the lead performances were oustanding, there was everything in them you could ask for. the editing was brilliant in this too, and came to the fore near the end when it showed the contrast between what one person thinks and the other, the complete opposite. this film was the afterlife of cassavetes. now, if only there was more of this.
Good movie, but would have been so much better if their relationship was more well developed. It was easy and painful to identify with the situation, but I just couldn't feel much about the characters.
i used to like this a lot, thought it was well tragic - one sided romances are, it didn't appear she ever loved him... but then came pines and i found watching (amongst other things) yet another weak hopeless female who needed saving worrying. i dunno about this dude, something's fishy.