After an outlaw unknowingly leads a band of cannibalistic Troglodytes into Bright Hope, the monsters kidnap several settlers, including the wife of a local rancher. Despite his injured leg the rancher joins a small rescue party with the sheriff, his aging deputy and a gunslinger.
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****1/2. This is really but really good. The director will undoubtedly belong to the circle of the major American directors in a few years. He knows how to create an atmosphere, he knows how to surprise his audience and he knows how to film a landscape. Now does he already know what he has to tell us? I don't know. Strongly recommended.
A slow-burning oater with a dash of gruesome cannibal horror. To be honest, the pace was a little too slow (even for a slow-burner) and the suspense suffered at times. But otherwise, the film was of the highest quality - great performances from an impressive little cast, beautiful camera work, and creepy creatures. A worthy entry in the new Western canon.
An interesting genre mashup that is definitely a western, but also blends in horror-like elements. The script and dialogue are traditional western, and Richard Jenkins is great in a Walter Brennan-like role. A unique experience and yet more proof that in retrospect, there have been a number of outstanding westerns made in the last 15 years.
It's a shame "Bone Tomahawk" proves so visually uninteresting - watch it on mute and you might mistake it for a direct-to-DVD cheapie from the twilight era of Blockbuster Video - when the film's authentic-sounding period dialogue positively sings and the performances are stellar across the board. Even with a flat look, the rock solid script makes this a successful fusion of horror and action not unlike "Predator."
A shapeless and often dull genre exercise that uses elements of horror to, in my mind, cover deficiencies in its imagination of the Western. Much of the film takes place under an open sky and among crests and buttes, and yet the impact of this environment is perfunctory; there's no emotional scope to its use of Western iconography.
The film's intensity certainly grabs your attention from the first scene, but the narrative is a mess; it's a beautifully shot western with some bizarre diversions. The alien-like barbarians ruined it for me. I was struck by the peculiar parallels to Kurt Russell's character in the Hateful Eight.
A snappily-scripted one-act, a rugged western, or a white-knuckle horror flick? There's some obvious conflict between these disparate but solid parts, and visually, it's drab. Yet, "Bone Tomahawk" is such an intriguing cocktail, it's impossible to be dismissive of it. I admired its attention to immediate details, great characters, and stomach-churning visual effects.