Yamamoto (Takeshi Kitano), a yakuza gangster, is forced out of the country when a gang war all but wipes out his clan. Armed with a fake credit card, a forged passport and a bag of money, he travels to Los Angeles, where he organizes one of the most powerful criminal syndicates in the city.
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Even with characters that are sometimes caricatures and some cliche street gang stuff, the charm that Kitano somehow infuses into these brutal stories ultimately won me over. It felt very much like Kitano's Japanese version of Ferrara's King of New York, except I enjoyed this one. Not a great film by any means, but Kitano's cold, detached direction and performance will draw in anyone who stays open to the film.
It surprises me that Kitano was unhappy with this film -- It moves as fluidly and confidently as anything he's ever done. Even if it didn't, it's replete with the director's provocatively offbeat little moments, many of them worth the price of admission (the dice-in-cup bits, the basketball scene). "I know what 'fucking Jap' means,
Interesting film about integrating and enculturation. Aniki Yamamoto tries to found a gang in Los Angeles. It grows, it grows, it absorbs and is finally destroyed. When Aniki's gang is adult enough to incorporate foreign elements like Denny, local gangs can't bear the idea of coexistence. If you read BROTHER with this magnifying glass, you will give it its full scale. Recommended.
An over promising yet dramatically under delivering movie. The movie filled with two dimensional characters with no decent backgrounds and motivations. The script tries to build suspense through air of secrecy yet this ends up nowhere. Not really recommended unless you are a real fan of the genre or the director.
The Japanese storyline was not a good fitting for the American lifestyle imho. There had been more coppers even in westerns. It somehow distracted me... Won't be amongst my favorites but still worth a watch.
Kitano's American crossover got a lot of negative to fair reviews when it came out but I feel that this is still one of his best films and definitely up there with Sonatine, Boiling Point and Violent Cop. Kitano and his usual band of cohorts Susumu Terajima, Ren Osugi, Ryo Ishibashi et al all put in good performances as usual and even the young Omar Epps does well here even with that ending.
I was not expecting much from this movie, having seen how negative the reaction to it was, but I was honestly very impressed by it. I'd say it stands right up alongside Kitano's Sonatine and Fireworks. I was fascinated by the story, the style, and the characters and their relationships. I love how Kitano stands out from every violent gangster movie director by exploring the code and drive behind these men. Underrated