With a strikingly modern yet humanistic style, Costa elicits quietly declamatory performances from his remarkable cast (which joins nonactors and seasoned professionals) and creates moody, luminous tableaux to conjure an incantatory, Faulknerian earthiness.
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In land, clay, mud, gravel, rubble, stone. Costa's film is an earthly tale and a cinema personal discover. It acts as Cezanne's still life meeting Cape Verde universe. It is beautiful, it is powerful and it is a film to be seen over and over again. It fills the soul with belief - an emotional journey to cinema's most beautiful places.
My second favourite Costa film after "Blood", and far and away my favourite film of his later ascetic cinema. This film combines the austerity of his later films with the breathtaking beauty of his first.
um Dardenne clássico e mais dotado ,ou talvez um Resnais contemporâneo .
e Inês de Medeiros estará talvez no patamar de uma Karina menos requintada , mas bem mais genuina.
Sinto-me mal por nunca ter dado a devida atenção a Pedro Costa.
Mais um mestre Português... para sempre
Oh my word. What on earth? I mean, eh? What? Is it a 3 star, 5 star, 0 star film? How are you supposed to rate something that's in a genre all of its own? Is it even a movie? Gosh I'm confused.
But but but but but. It is haunting me. Whatever it was has made me nervous. It has quickened my pulse. It has reminded me of sensations I can only recall from reading Heart of Darkness. Arrrrgggghhh. Love? Hate? ... Love!
The plot (was there a plot?) was confusing and jumpy. The characters and their spoken lines were unconvincing. And a very poor portrayal of coma and outcome, completely unrealistic. The scenery was great though, I knew nothing about Cape Verde (still know very little), it was just about worth watching the movie for the backdrops. And some impressive eyebrows.