Jacques Becker lovingly evokes the Belle epoque Parisian demimonde in this classic tale of doomed romance. When gangster’s moll Marie (Simone Signoret) falls for reformed criminal Manda (Serge Reggiani), their passion incites an underworld rivalry that leads inexorably to treachery and tragedy.
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In the short career of Jacques Becker he made some of the finest crime dramas in French cinema history. Casque d'or is a beautiful, lyrical romance set in the underworld. Few others besides Becker could make this film as wonderfully as he did.
This is what is meant by the filmmakers of the French New Wave when referencing the old French Cinema they sought to subvert. It’s a perfect example of that Renoir frame of mind, even though he is not the director here. “Tradition of quality” I think they called it. This is certainly that.
Becker's film may not be complex, intellectual nor innovative. Nonetheless, his powerful, energetic filmmaking, alongside Signoret and Reggiani's masterful performances, makes "Casque d'or" one of the most beautiful and touching '50s French films.
a completely unexpected beautiful piece of French cinema, that I had never heard of until I perused Criterion's French section and chose it for my Romance Criterion segment at the theatre. it will sweep you off your feet with the soft glow cinematography, the beautiful black and white, and Simone's captivating beauty. I am shocked at how little following this film has and how I haven't seen it til now. must watch!
Un des plus beaux et des plus complets films de Jacques Becker, qui immortalise la regrettée Simone Signoret dans un des rôles essentiels de sa longue et variée carrière. Désormais un classique du cinéma français qui n'a rien perdu de sa mélancolique tendresse et de sa légendaire fatalité. Certainement l'une des meilleures compositions de Serge Reggiani, époustouflant. www.cinefiches.com
I expected a handsome, atmospheric period piece, which we get in this film, but there's so much more - Casque d'or has guts! A nicely realized production that affected me more deeply than anticipated. Simone Signoret is magnificent, the way she carries herself, her saucy grin communicates so much, especially considering the hapless situation her character was in. She and Serge Reggiani created a couple to care about.
I just watched it yesterday. Nowadays, I have problems sitting through films that bore me, so for a film whose plot is not exactly hard to guess (yes he's gonna get it!), I must be quite moved.
It must be the costumes, the belle epoque atmosphere, but it says here that Jacques Becker don't do period pieces where people are walking costumes; they are real people who live and breathe. It's the romance?