Casual Relations knows. In Rappaport’s dazzling and bizarre feature-length debut, he focuses on states of imaginative possession and dispossession, demonstrating how impossible it is to separate fantasies, dreams, and realities.
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As in the Buñuel/Dali's legacy, the intuitive and imaginary derision replace any desire for a fictional logic by an act of an autonomous dreamy logic, that by cinema and cinema only finds its language and justification. In writing blocks, almost in the way of a "cadavre-exquis" done by the same author, the illogicality is celebrated as the modus operandi of a liberating artistic discourse.