To the degree that Rouch and Morin undermined their authority as filmmakers, Chronicle became a model for the collective films of '68 and of the American New Left. If Rouch and Morin's experiment towers above those films, and also those of America's Direct Cinema, it is because of the moral commitment of the filmmakers to their roles as group leaders—more empathetic, challenging, and intelligent than the fathers of our wildest, utopian dreams.
Amy Taubin
September 4, 2013