A group of professional ‘host boys’ work in a local club, where Chinese women come for company, attention and sometimes with the hope of finding love. Verbeek proves that his creative production is on the rise and that China seems an endless source of inspiration.
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Not as fascinating as Jake Clennell's The Great Happiness Space (2006) but essential for anyone who is interested in the performance of feelings and the commodification of emotions in Neoliberal societies.