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Michael Mann United States, 2004

Gondo's rating of the film Collateral

Manns journey towards a new kind of cinema was/is ever expanding, but it was with Collateral that he (in my opinion) for the first time really found what he was looking for. Slowly but surely any feeling of off-screen space dissolves in the endlessly deep and wide fibers of the digital image, so that a space is never just a space and the world outside of the frame never just a reality to be separated from any of it.