Alternating with the Lilliputian appeal of Quay Brothers–type dioramas of miniature houses and toy vehicles, perhaps purposefully jejune drawings of a shared past reveal painful memories. Sans the heart-hollowed-out aura of CGI, mood-evoking images do linger, such as aging, down-hanging female breasts; it took only two drawn lines. But Consuming Spirits is overlong. A dystopian T.S. Eliot once said, “Humankind cannot bear too much reality,” maybe even in a cartoon.
December 12, 2012