Now that his father has died, no one is taking care of Mamani. Always loaded, always then shitfaced. A pickpocket. His godfather must take care of him. Deep down there in the mine. His grandmother locked upon the hills will join a dark secret that can save Mamani.
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Digital. Indie Lisboa # 6. There's a mismatch between an exhibitionistic and intentionally displayed formality and the socio-economic context in which is filmed: the miners and the mine are obviously artifacts of an aesthetic exploration that conditions them to the condition of articles, according to a pre-formatted idea. So much pans and descriptive travelings without any grammatical function except its know-how.