Using archival footage to tell the story, Dawson City: Frozen Time pieces together the bizarre true history of a collection of some 500 films dating from 1910s-1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory in 1978.
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Morrison's documentary with nary a word throughout captures the history of the Yukon's Dawson City and gold rush and stands testament to the power of silent film in defining film history and the need for preservation. A large number of silent films were discovered in Dawson City and eventually donated to the Canadian archives for restoration; but this is just the starting point to a wonderfully constructed doc.
The story of a Canadian mining town at the turn of the twentieth century is a humbling microcosm not just of film history but of the very idea of recorded human history. Illustrates how our concept of ‘the past’ is completely beholden to extant artifacts. Morrison’s aesthetic suits the story’s routine returns to the elements of earth and fire. If you can’t bury it in the earth, eventually you’ll lose it in the fire.
It's amazing how everything comes together as if it was a great epic movie, in which the "characters" intersect and change paths several times, affecting the historical route of the town and the sad fate of the hundreds of silent film reels, spread by various places, and that tell so many things about the reality of that time. A poetic experience of History, Sociology and, of course, Cinema.
Very interesting. I learned a lot about Dawson City and the gold rush however I would have liked to learn more about the films themselves. Who were the directors, were any important to film history etc?
My vote for best found footage horror movie ever made. You have to experience this film in order to see how with such ease it merges the history of a region story with that of the lost films wjich are used in their distorted glory to haunting effect.
4.5 I went into this blindly, expecting another montage of found footage with score. What's delivered is somewhat of a breakthrough- a documentary in a more conventional sense, in that it conveys with text and photos- but Bill also often uses sequences from the unearthed archive to illustrate the historical narratives at hand. Fascinating, incredibly informative, and, as always, visually immersive; not to be missed.
Doc Lisboa. Do I really have to consider big a movie that disregards its found footage with a permanently annoying and invasive music? In which any still it's shown with digital in and out zooms- disregarding Straub and Huillet's lesson in "Une Visite au Louvre"? With a supporting narrative as an unique possibility of inserting the found images? With image effects underlining the patina of time? No, that's my answer.