Noah Baumbach and Jake Paltrow’s fleet and bountiful portrait covers the career of the number one iconoclast of American cinema, the man who gave us Carrie, Dressed to Kill, Blow Out, and Carlito’s Way
This film is not currently playing on MUBI but 30 other great films are. See what's now showing
A superb gateway into De Palma's influence on American cinema. From his love of Godardian radicalism to Hitchcock's deconstruction of dysfunctional male voyeurism, De Palma's craft was rooted in film history and the pragmatic nous of camera operating. He did not merely create a pastiche or an homage to past auteurs, he reinvented their oeuvre in a post-modern US in flux. Many of his films deserve revisionist acclaim.
About the cinema and the figure of one of the greatest stylists of contemporary cinema it would be expected and logical a film with an intelligent editing that would clearly exceed a mere interview's direct illustrations. It's not the case, that leaves us with the comfort of an encounter with this higher personality, much higher than his objectors. But, alas, no pleasure of the text.
Definitely giving it (at least) one more star than it is worth, simply by virtue of the fact that I like De Palma and enjoy listening to him (even (especially?) when he courts hubris). But it's funny: as Baumbach has been in charge of two recent special feature Criterion interviews w/ Mr. D., what we have here is basically more of that w/ just way less specificity or detail. Greatest hits. Yeah, dude. I'm aware.
De Palma reflects on each of his films chronologically with a fair amount of candor and humour that make the film enjoyable but a little tedious at times. De Palma is of course a great visual stylist but his misses have far outnumbered the hits over the years sometimes due to a feckless public but often due to their compromised nature. Yet De Palma is a natural storyteller as one discovers here.
This is absolutely essential viewing for any DePalma fans and even casual cinephiles. It's a true pleasure to hear the master talk about his life and career. Still, it's not a particularly inventive or gripping documentary. Baumbach and Paltrow could have injected some creativity and dynamic to the film's rhythm.
Brian De Palma hace un repaso de su filmografía contando sabrosas anécdotas (Mi favorita: Bernard Herrmann horrorizado al ver el pre-montaje de Sisters con música de Psycho) y reflexionando sobre su complicada relación con los estudios, la crítica, el éxito y el fracaso. Un documental muy entretenido y sencillo al mismo tiempo.