Wisecracking NYPD cop John McClane plans to reconcile with his estranged wife. His plan is thwarted by the terrorists who have taken her workplace hostage. In a bid to save his wife and her innocent co-workers, he brazenly attempts to defeat the bad guys.
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McTiernan's obsession with the interloper is brilliantly reversed in his follow-up to "Predator": now our hero is the one who trespasses, stalking a jungle of concrete and steel beams. It's to McTiernan's credit that, despite countless viewings, each time I watch the film I feel like I'm discovering something new about the way the director masterfully utilized the sprawling, interconnected space of Nakatomi Plaza.
Caught this on TV this Christmas for the first time in years -- all the other action films I've seen in that time have helped me appreciate what a game changer this was. A raw, funny and surprisingly violent film that makes the most of its grounded set-up and provides ample amounts of real-deal action without going implausibly OTT as the sequels did. The blueprint for recent greats like "Dredd" and "The Raid."
This is the film that made Bruce Willis an action star and he is nothing short of badass as the wise cracking New York City cop John McClane who gets put in a shitty situation. This is what an action movie is supposed to look like.
YIPPEE KI YAY MOTHERFUCKER. Beethoven 9th symphony Ode to Joy. J. Mclane barefoot the whole time surviving a tower heist because he had to took off his shoes The close ups of the cig smoking The smokes and the flames the shadows all so stylishly shot The realistic feel of the shots It is all so impeccably smooth and rich in its contexture The whole visual look of Die Hard is so multilayered and full of substance. Wow