A masterpiece of storytelling. Lumet's no-frills style still allows for subtle variety. Perfectly edited and paced, it simultaneously finds humor, keeps it human, and avoids sentimentality. The acting is perfect. Pacino is totally relatable, wildly kinetic, but always in control. No other actor can work up to such histrionics and remain so grounded. Cazale, Durning, Sarandon, and the bit players are all terrific.
Al Pacino is running the freak show here between his inner self and his social life, the FBI and the TV broadcast. Sometimes a tremendous dark comedy written almost to perfection and other times just fascinating the depth of everyone's character. I felt they were live performers given a script and improvising the all time. Still, Sonny is lost (like Sal going to Wyoming) and the movie sometimes too.
Immensely entertaining because Sonny is such an endearing schlemiel who through his fuckups breaks many bank robbery clichés, although perhaps not the structural one that deludes us into rooting for his ultimate success. At times its political agenda feels ridiculous, that Sonny's violent act is justified considering all the forces he faces (class, war, the repressive state apparatus, the spectacle, sexual norms).
Lumet's directorial take on the Frank Pierson script resulted in one of the seminal films of the seventies. Based on the true story of John Wojtowicz the film touched on several button issues including gay rights, police brutality and handling hostage situations. Pacino gave an iconic turn here with great support all around especially Durning, Cazale, Sarandon and Allen. One of Lumet's best.
This is not JUST a heist film that just so happens to have two phenomenal performances. If anything, it is also one of the best portrayals about the police and how they deal with such fragile situations. Plus, can you believe that only 2 bullets are fired in this whole film. The first alone causes one the most beautiful Eisenstein-ian montage that I have seen. All in all, a Masterpiece of the New Hollywood era.
The strength of DOG DAY AFTERNOON is in its ordinariness. There's no attempt to heighten the tension or exaggerate the action. In fact the tension subsides as everyone settles in and gets comfortable - and even a bit chummy - with each other. Pacino's portrayal of Sonny is intelligent and compassionate. Perhaps more so in both as http://letterboxd.com/mharbour/films/diary/
This was one of my starter films. Those first tier films that were mythical before you saw them and solid after you did. I watch it every few years and the more films I see and study every year - the more my positive opinion of films like this stays constant.