Peter Emmanuel Goldman’s rarely screened debut, an underappreciated landmark of the New American Cinema, chronicles the lives of twenty-somethings adrift in New York City, finding tremendous pathos in the smallest moments.
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A wonderful Beatnik Silent Film. No talking, but a great score and sweet hand-drawn intertitles. Tons of great verite street footage of NYC 1965, with old movie houses, Times Sq., Cinema Row 42nd Street, drunks and hookers. / / / You can see three of Peter Emanuel Goldman's films on Fandor.