In 1962 Mexico City, precocious Emma is hovering on the edge of adolescence and coping with a difficult family situation when her changing figure leads her to the conclusion that breasts are the center of the universe.
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Far from perfect, but nonetheless enjoyable. Portraying a side of sexuality and coming of age we rarely get to see, it manages to capture a fleeting sense of change, of new things to come. What it does not achieve is significance due to ridiculous sound effects and saccharine elements that stylistically resembles a soap opera.