I'm generally not a gangster film type of guy, which is odd since I'm terribly violent in real life. But 'Exiled' does what Seijun Suzuki did with gangster flicks back in the 60's, taking an ordinary gangster plot and creating intrigue through aesthetics. And the camaraderie of the 'five' was so natural, that very little was needed in terms of backstory to congeal their friendship.
The elegance in which the shootouts unfold have almost a ritualistic feel like the acts of violence are a right of passage. Another reading might be the shootouts function in almost a brechtian fashion and disciplining the audience's involvement with the action sequences gives more weight to the surprisingly serene scenes in between. In either case a pretty stunning marriage of form and content. Must see.
They were throwing the gold around like it was chocolate bars covered in golden tinfoil. For some reason I can suspend disbelief that they can be in numerous shootouts and not get shot, but this bothers me.
Not as good as the Election films, IMO, but still a gorgeous action film. The term "opera of violence," which is synonymous with Leon's legendary Once Upon a Time in the West, kept going through my head as I watched this one. 4/5.
Proof positive that the Mexican Standoff doesn't necessarily belong to Mexico, Italy, or the American West. The film begins with a bang, but seems to lose steam about halfway through (probably because the added sentimentality doesn't jive well with the tone established by everything else). The excellent camerawork and commitment to style, though, makes this a keeper.
A brilliant buddy movie, on a par with anything by Woo. From the Leone-esque opening scene, to the final, Wild Bunch style shootout, this film, more than any Asian crime film Ive seen, feels distinctly like a western, and this was certainly a conscious choice. To's visual style is considerable and distinctive, the film is particularly well staged and beautifully shot.