Inside the sealed, illusory world of the flower house, a brothel in the British section of Shanghai in 1884, fading Crimson fears losing the attention of Master Wang to Jasmin, while naïve Jade allows herself to be drawn into a suicide pact.
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A languid camera and lethargic fades circumscribe four episodic narratives within the atmosphere of a 19th century opium laden flower house (brothel). Soft spoken and elegant beyond measure.
97/100 - Masterful.
Rewatch - This is where Hou's minimal storytelling reached its peak. As the film takes places only in a few claustrophobic "puppet stage", its events are mostly disclosed in conversations, pushing Ozu's ellipsis technique beyond the border, constructing it like no others. Up there with A City of Sadness and The Puppetmaster if not better
Flowers of Shanghai, another masterpiece amongst Hou Hsiao-Hsien's impressive cannon, is another delicte, sensitive and brilliantly structered piece of absolute art from the Taiwanese master. Yet again, Hsiao-Hsien pays a beautiful attention to detail, as every little element is magically constructed, from the stunning, yet claustrophobic cinematography (which serves the film perfectly) to narrative and sound.
This film almost demands to be seen in 35mm : the texture and light nuances play a major role and a digital transfer (at least on sd dvd) just don't seem to capture them. Looking forward for a blu-ray release...
L'admirable style de Hou Hsiao-Hsien tourne à vide dans cette splendide reconstitution glacée où les mouvements de caméra, aussi élégants soient-ils, ne parviennent pas à faire oublier le manque d'épaisseur de la structure dramatique et la froideur d'un regard quelquefois par trop esthétisant...