Rohmer is a kind of ethnographer on the one hand and a philosopher like Pascal on the other. He might be the only filmmaker who provides in his work everything you need from adult relationships whilst exculpating you of the need to participate in them in the real world (where what you actually need is a small part of what you actually get). Don't let the 80s tropes fool you: R&M is an A1 back-to-basics exercise.
Yes. The palette of his films! The dialogue was thought provoking, especially on the topic of morality which is very typical of Rohmer. (It angered me slightly which is a positive sign, I think). The comparison between city and country, silent and loud was wonderfully done.
A rare dud from director Rohmer who has several films in my personal favs. Four episodes of two insufferable young women who first meet in the countryside before sharing a flat in Paris. The traits of the two are evident in their self-righteousness, playfulness and purposeful indignations but it hardly makes for enjoyable viewing. I suppose my main issue would be the two just don't seem the type to be friends.
Unassuming, imperfect, engaging and adorable, with more than enough charm to lubricate the silly bits. Like an occasionally hilarious relaxed hangout with interesting friends. This was my introduction to Rohmer, and if this is one of his "insignificant" films, I look forward to seeing the notable ones. 3.5, with an extra half star for Ronan Girre's catchy electropop track.
This is my first foray into Eric Rohmer territory. I am not sure if this would be the suggested starting point, but I really dug this film. It is comprised of four vignettes that have a perfect blend of humor and character development.