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Jigokumon

Teinosuke Kinugasa Japan, 1953

A47's rating of the film Gate of Hell

Colorful and SHARP; The cinematography is a marvel for its time. However, it is the balance, or rather the dance, between the plot and character driven script that most interests me about this film. An intriguing platform for creating a moral structure within the film, instead of accepting a set compass. All three characters are given contradicting and lively points of view, leading to a powerful contradiction.