It’s a tricky movie, but not in a way that’s dishonest. Its first feet are in the school of miserablist realism, and while director Lee never abandons his things-as-they-are approach, he tells a love story by letting magic in at unusual angles. Most of which involve, yes, God’s own country, a ravishing landscape captured beautifully by the cinematography of Joshua James Williams. The land can be contended with, inhabited, but it can’t ever be tamed, is what the images tell us.
October 25, 2017