In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his servants son is kidnapped. An adaption of Ed McBain’s detective novel King’s Ransom.
This film is not currently playing on MUBI but 30 other great films are. See what's now showing
One of Kurosawas few "Presens day" films. High and Low is a suspensfull Thriller that can easily beat out the best in the Genre. The whole premise or the mise en scene, i mean the entire first 55 minutes are taking place in one single room! The actors are great which shouldn't come as a suprise if you got Nakadai and Mifune in one Film.Timeless.
I just love how Kurosawa build pressure during the film. I think it's a very good picture that can represent the meaning of thriller. I loved it, the ending was very good. Very good acting and I think its a must see picture of Kurosawa.
A great crime drama, but so much more than that - A profound portrait of tragedy and malice that permeates class distinctions in a fluid way, like a liquid poison. This film takes us from a luxury mansion to "junkie alley" and back again, with an incredible scene along the way, a chaotic noisy jukebox whisky bar so meticulously orchestrated that it's cinematic power is overwhelming and undeniable.
Rather than spend my time and praise this film and its script like everyone else, I'd like to point out how a seemimgly forgettable shot can sum up an entire film. The shot in question occurs during the last half-hour when we enter a bar full of tourists. It's the shot of mirrors reflecting the crowd along with prices of the drinks. In short, in one instance, Kurosawa juxtaposes people's social image with capitalism.
My third experience with Kurosawa, and my goodness, what an incredible experience. It feels like Kurosawa doing Hitchcock and Polanski at the same time, and the result is a goddamn 2 hours crime drama with amazing cinematography (YOU WILL DEFINITELY LOVE THE WAY KUROSAWA DO THE FRAMING) and mesmerizing dialogue (YOU WILL DEFINITELY LOVE THE CONVERSATION AT THE END OF THE MOVIE). A mastepiece indeed.