What I like about the horror movies of this era, especially the Hammer Horror ones or the Poe adaptations from Corman, is that they build the terror through mood and atmosphere rather than surprise. At first, it's always cheesy, then you realize it's actually quite good. I love that.
Corman's first Poe adaptation tries to capture the death crawl mood of the author, but is like a funeral procession. A properly minimalist stage play in its telling, yet the interaction lacks urgency and tension, the story and pacing are without fluidity, and the horror is minuscule. Also, while the music and vibrant colors are beautiful, it makes it undercut the appropriately needed feeling of dire ominousness.
If anyone is interested in the artist whose paintings are used in this film, his name is Burt Shonberg, and you can find images of his work, including the "House of Usher" family portraits here: http://www.burtshonberg.com/paintings.htm. It states on the site that Vincent Price took one of the portraits home, which actually makes me love him more, if that's possible!
A horror movie that deserve it's success. Vincent Price is excellent here with dyed white hair in a role where it's uncertain if his character really is mad or he tells the truth as no one make better sympathetic villains than him. There is some incestuous themes here too that is pretty disturbing too. Weaknesses is the music and an outdated nightmare scene without that it would be 5 stars.
Serviceable Poe adaptation with Price looking extra bizarre with his platinum blonde dye job. This movie starts out as pure cheese, but develops into something actually quite chilling. The technicolor usage and nice widescreen photog elevates this one above Corman's usual fare at this time. 3 stars.
"Just because Corman is incapable, which he is, of making a Bergman film, it's unfortunate that that didn't happen."
Very good haunted house/Freudian spook story. Biggest reasons to see the movie are the costumes, sets, Vincent Price’s performance, the Les Baxter score and the overall use of color. The film has a nice mix of silent film-like moments intertwined with a few Vincent Price macabre monologues.
The Matheson script bounces along, the rest of the cast is game, and it's just an all-around fun Corman production. See it!