What I like about the horror movies of this era, especially the Hammer Horror ones or the Poe adaptations from Corman, is that they build the terror through mood and atmosphere rather than surprise. At first, it's always cheesy, then you realize it's actually quite good. I love that.
If anyone is interested in the artist whose paintings are used in this film, his name is Burt Shonberg, and you can find images of his work, including the "House of Usher" family portraits here: http://www.burtshonberg.com/paintings.htm. It states on the site that Vincent Price took one of the portraits home, which actually makes me love him more, if that's possible!
Serviceable Poe adaptation with Price looking extra bizarre with his platinum blonde dye job. This movie starts out as pure cheese, but develops into something actually quite chilling. The technicolor usage and nice widescreen photog elevates this one above Corman's usual fare at this time. 3 stars.
Corman's first Poe adaptation tries to capture the death crawl mood of the author, but is like a funeral procession. A properly minimalist stage play in its telling, yet the interaction lacks urgency and tension, the story and pacing are without fluidity, and the horror is minuscule. Also, while the music and vibrant colors are beautiful, it makes it undercut the appropriately needed feeling of dire ominousness.
"Just because Corman is incapable, which he is, of making a Bergman film, it's unfortunate that that didn't happen."
Very good haunted house/Freudian spook story. Biggest reasons to see the movie are the costumes, sets, Vincent Price’s performance, the Les Baxter score and the overall use of color. The film has a nice mix of silent film-like moments intertwined with a few Vincent Price macabre monologues.
The Matheson script bounces along, the rest of the cast is game, and it's just an all-around fun Corman production. See it!
El retrato de la locura expuesto en un famélico Vincent Price, volcado a la fragilidad de una hermana. La historia de un linaje marcado por una maldición tanto mental como fantasmagórico. "La caída de la casa Usher" es una representación barroca en el sentido de lo lúgubre. Los pinturas de los familiares caídos son imágenes escalofriantes. Muertos que reviven, casas que se derrumban y el amor que lucha por rescatar.