Though the italian cinematography and the soundtrack are incredible enough to make this movie memorable, I think I will remember it for Tilda Swinton effort to learn italian and russian just for the role of Emma. That ending was epic, but maybe a second watch will make me appreciate the whole movie a bit more.
There's plenty here that many won't like - the soundtrack, the melodrama, the ending etc. - but overall I was overwhelmed by the extraordinary texture of the piece. Both visually and thematically there is so much going on and Guadagnino combines a broad sumptuousness with moments of remarkable subtlety. Painfully beautiful, a film that looks back to the great Italian auteurs while being absolutely contemporary.
I like the impassioned extroversion of Italians, but most of the cast were unremarkable here. Not bad, not distracting, but they just felt 'there'. But then the filmmaking seemed to mostly come alive when it was following Tilda Swinton, and I suppose that's the essence of it: she's the outsider falling in/out of love with a place not hers. Which is why this film works. She's at once familiar and otherworldly.
An amazing intimate epic, in the tradition of the great greek tragedies. Slowly and subtly building up to the climax (which actually coincides with the very end of the film), this beautifully shot melodrama has a vibrant and very dynamic directing, and another unforgettable performance from the chameleonic Tilda Swinton. After this and "A Bigger Splash" I am definitely pay attention to Luca Guadagnino's future work!
A superb film. I really didn't think I was going to warm to their world so full of protocol and manner, but little by little it all unravels to reveal the real touch and taste of life. The soundtrack is brilliant and reminiscent of Bernard Herrmann's scores for Hitchcock.