Explores some of the Belgian filmmaker’s 40 plus films, and from Brussels to Tel Aviv, from Paris to New York, it charts the sites of her peregrinations.

An encounter with director Chantal Akerman herself. Marianne Lambert, who worked on Almayer’s Folly, offers a personal exploration that ranges from her best known film, Jeanne Dielman, 23 Commerce Quay, 1080 Brussels, to discussing what ended up being her last, No Home Movie.