A molecular biologist and his lab partner uncover startling evidence that could fundamentally change society as we know it and cause them to question their once-certain beliefs in science and spirituality.
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Ian and Sofi's random relationship feels like a cheap excuse to bring an emotional background to the discovery at the end of the film, which didn't work for me. I was hoping for an indie sci-fi, in the tone of 'Another Earth' but apart from the two main characters appearance, 'I Origins' didn't live up to my expectations.
After "Another Earth" Cahill delivers another (most of the time) smart, emotional, indie sci-fi flick. While the romance that takes place during the first half of the film unfolds in a lazy way (how many times have we seen that rational/emotional love couple on TV and films?) ending with Sofi's sketchy death, the second part is more entertaining. There are some outstanding shots throughout but it's an uneven film.
Cahill's strongest suit continues to be as writer with another cleverly composed script as equally thought provoking as his debut 'Another Earth'. Cinematography is strong as is Cahill's editing abilities. The film's weak point is its chief casting especially Michael Pitt who fails to register deeply here. Marling plays a bit of a cliché here as well. A film of deep ideas but poor characterization.
In terms of religion trying to get even with Darwin, this is as good as it gets. (There's a lot of unwatchable creationist panfletarian flicks out there, you can pick your naive-heroic narrative or your pseudo-science documentary one). But this is actually a good try. What creationists have been doing is taking the fun/depth out of the debate. (This film does end fulfilling its purpose, it does formulate a question)
Toxic advertisement disguised as a new age fairy tale for yet more invasive surveillance technologies: eye scanning, another neoliberal instrument for total mass control. This is the true cinema of biopower: deceptive and destructive. A true eye opener. Watch Citizenfour instead.
A truly relevant concept - fueled by uncharacteristic performances - in the wake of a more global spiritual awakening. Unfortunately, Cahill takes the wrong approach, inexplicably trying to build suspense where there is none. It could have been a convincing celebration of the metaphysical world. Instead, it feels like a second-rate thriller.
However, it amuses me people who say that the film's philosophical concept is treated in little time. Well, how about Interstellar, guys? Maybe 70 years of continuous film will be enough for you. Too bad that after this sort of issues I still hear stuff like: "I didn't like the movie cause it was too long".