In Continuo uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
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Spatial portions, fictional traces and vice versa, narrative fragmentation and formal discoursivity or fragmented speech of a formalized narrative. In fact, an essential look at how the materials of cinema may know and look at the world, a world that is given to look. That is, a documentation lesson.