A gloomy, almost apocalyptic vision playing out in a direct sequence of scenes showing hopeless situations and moments when something is headed towards its inevitable conclusion, no matter how far away it still is.
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It seems explicit, but it is elusive. The insoluble problem of faith or choice remains tangential. Rosenblatt's laconicism seems to be a psychological pattern that has become an aesthetic feature. However, some frames are beautiful. Other frames are shocking.