In the wake of a terrible car wreck, award-winning architect Vincent Eastman sees his life in flashbacks, recalling his separation from his beautiful but aloof wife and his affair with a joyful and passionate journalist.
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The general criticism of the film is fair; Gere's character isn't sympathetic & his life crisis comes from a place of entitlement & egotism. But I found the strange scene in which the character meets what could be himself as an old man (complete with a granddaughter modeled on his mistress) to be so fascinating & quietly surreal that it brought together the various themes of the film & elevated the entire third act.