Maligned and misunderstood upon release, INTOLERABLE CRUELTY examines the fickle nature of marriage, money and love, tongue firmly in cheek. Example: George Clooney's obsession with his teeth ends only after he has "mounted" Catherine Zeta Jones, who has never looked this good (thanks Roger Deakins). Such character nuances exist within a broader zany world the Coens suggest is much closer to real life than you think.
Warm cinematography, delectable interplay between Clooney and Zeta-Jones, and some suave intertextuality (allusions to Edgar Allen Poe's 'The Purloined Letter'), but it lacks the spark of Clooney's previous outing in 'Out of Sight' alongside Jennifer Lopez. It feels like a tale that could have gone deeper, but played safe with screwball comedy tropes.
Screwball comedies stop being made for a reason. The language of cinema changed and evolved and, in many ways, it killed the cinematic appeal of the screwball. The Coens hit many right notes and the cast is impeccable but in the end of the day there is an inability to innovate which propel too many awkward moments.
Has the benefit of being the Coen's most underrated film, if only because that spot is relatively uncontested. I like them most at peak-ridiculousness, and with the acting and names on display here, this is a comedic gem. Special props to Jenkins whose exasperated gestures make this. Would be higher if the final act didn't feel so hurried - the leap to murder feels unearned and the film starts to move through paces.
Hysterical. Perfect throwback to screwball comedies, and man, does it hold up. While not loved by many, and certainly not the brothers' best, I'm willing to bet time will treat this one immensely well.