Werner Herzog and Friedrich-Wilhelm Murnau are openly called upon in Peter Strickland's first film. The Romanian mountains and landscapes reminded me of Aguirre's Peruvian journey and each time Katalin Varga is looking at the edge of a forest, I was expecting Nosferatu to appear. I also liked a lot the timelessness of this tale where Middle Age behaviours border with mobile phones. Highly recommended.
An assured debut by Strickland who musters up a tale of revenge that will engage and surprise the viewer. The acting is very strong throughout and the sound design and score very impressive. The script and direction is good but drags a bit in parts. Still a good movie with both ambition and atmosphere.
Peter Strickland's film is perhaps, on paper, little more than an arthouse rape revenge story. But it is sublimely and subtly executed as well as being splendidly shot. The scene on the boat will stay with me for quite some time.
Peter Strickland's first teature, is one of those films that lingers in the mind and you find yourself mulling over the storyline and remembering an image or a sound.The film is like a Brothers Grimm tale,where there's danger lurking in the woods and revenge will have its price.Hilda Peter is excellent in the title role.As is Norbert Tanko as her son Orban,who accompanies her across Transylvania,to meet her destiny.
Western guy goes to Transylvania to copy Romanian classic 'Baltagul' ('The Axe'), and to prove himself clueless about the place. Cardboard dialogues and acting, bombastic music. The 'etno dance' scenes are an insult to the locals.
A revenge story from Romania with powerful performances (especially from the lead Hilda Peter) and vivid direction of Peter Strickland who additionally utilises the score and the surrounding setting as contributing characters to the film. The story unravels in a slow pace whilst the drama builds up to the final retribution.