A surreal indoor odyssey of one man, Ulysses Pick (Jason Patric) struggling to reach his wife (Isabella Rosellini) in her bedroom upstairs, this hypnotic dreamlike journey bewilders and captivates.

Watching a Guy Maddin picture is like rummaging through a celluloid flea market of the found and forgotten. Keyhole is a spectral summoning of the ‘30s gangster movie, boiled in a cauldron of expressionist horror for a brew that at once shouldn’t exist, yet seemingly, in Maddin’s hands, always has.