In the summer of ‘75 Pier Paolo Pasolini’s film, “Salò”, is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.
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On Pier Paolo Pasolini he wrote and shot so much, too. But this film by Davide Grieco who was his collaborator is one of the few (along with Pasolini by Marco Tullio Giordana) trying to tell the facts, and more to rebuild how things really went on that night between 1 and November 2, 1975.