Three different episodes placed in the Napoli of 1993. Aurora is abandoned by her husband; a young, just set free from jail, discovers that his mother is actually a transsexual; Libera, that works hardly at her kiosk discovers her husband is unfaithful.
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A film that reveals and exposes itself, in successive layers of quotes and transfer processes, as an exercise of purely cinematic psychoanalysis. Often, too often, the quotation game is ruined by a statement of simple narcissistic gesture, but this is not the case: as with De Palma or Argento, but very differently from them, its constructive rhetoric is its inventive animism.