A rickety doll's house that is, in some parts, a kindergarten The 400 Blows. Qiang, our lead, spends the film 50/50 between blubbing his eyes out and rebelling against authority figures who are neither very cruel or that maligned in their positions. The Tchaikovsky-esque symphonies swell around bleak yet claustrophobic expanses but this really never goes beyond the 'Misunderstood New Kid' trope set in period clothes.
A bold and heart-wrenching metaphor that's not only applicable to Chinese society, but nations all over the world. Little Red Flowers is an example of how powerful Asian cinema can be when its filmmakers avoid the slow-mo sword scenes and grow the F up.
Graphically stunning, good dialogues. Showing pretty normal kid and adult dynamics with no more cruelty than would be expected in a similar setting in wester societies ( if there is such a thing ). Not sure that the political point massively stands in this regard except for the setting, but we are not told whether if is a mandatory thing or not.
Demagogic. I cannot find any difference between the educational system condemned in the film and those operating in the West. Manipulative when using cute little bunnies to portray political dissident views. Naive concept of what individuality means and how it should be balanced in society. Intellectually chaotic, superficial & hollow critique of a Chinese political regime. Not tricked by this one.