Yu has no choice. His father, a Catholic priest, is urging him to confess, but in order to confess he must sin, and the only sin his cynical father recognizes as such is sexual perversion. So Yu becomes the King of Tokyo’s photo voyeurs – until he meets the Maria of his religious fantasies, Yoko.
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Straight from Quentin Tarantino's school of "Films for 17-year Old Kids Who Just Discovered Nietzsche." Laughably bad, the epitome of sophomoric. Another perfect example of Westerners overrating crud that comes out of Japan.
This is it I've finally found my film. We all need absolution. The greatest teenage love story of our generation. Proves what cinema can be how a director can do anything how a film can live any way it wants to, how it can embody any mood, any life, any song, there is no limiting the freedom of filmmaking like this. Love is the largest container it can hold everything.
A good example of how the excess of significants and their translation into an hysterical formlessness can hinder and destroy a project with distinct and interesting scope, from the social to the artistic. Only, and only, an allegedly ridiculousness without limits.
When viewers said this was a 4 hour movie that flew right by, I honestly thought they were full of it. But "Love Exposure" is indeed a masterpiece that feels about as half as long as its runtime. Sion Sono's exploration of love, Christianity, upskirt photography, and awkward erections is the most immersive viewing experience I've had since "Enter the Void." Very Japanese, potentially offensive, but highly recommended
I haven't seen a film that serves as its own aesthetic revolution and collapse like this since EROS + MASSACRE. Like that film, LOVE EXPOSURE chews up and spits out everything through de-centered, off-kilter framing. Also like that film, sex and philosophy (or in this case, theology), dominates all, a reminder that desire drives the most daring rebellions. Mad, sloppy, epic, small and beautiful, all at once.
Brilliant! It's ridiculous, disgusting and wildly ambitious and inventive! One of the most truly unique films I've seen in a long time. I did think it lost a bit of it's momentum in the second half, but the strength of the first half alone gets this a five! Great performances too!