Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth, abandonned by her, tormented by his homosexuality, he will little by little slip towards madness.
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Here we have, during almost four hours, Luchino Visconti's favorite corpus of themes : Decay of European aristocracy, repressed sexuality and politics. Ludwig was a romantic born a hundred years too late. Masterpiece.
At some point during his homoerotic forays, I thought to myself: "This reminds me of Michael Jackson . . . " Kidding aside, this film is absolutely amazing. A true work of art. The opulent mise-en-scene, Helmut Berger's acting, the various psychological analyses of his deteriorating condition, eugh! Everything was great.
A portrait of the King as the Wagner enthusiast, romantic art escapist and sexually troubled megalomaniac that he pretty much was, as far as we know. “Ludwig” is a grandiose film of a grandiose person. Four hours long, yet it doesn’t feel at all too long, thanks to Visconti’s storytelling skills. You just need to sit back and enjoy the great performances and all those chandeliers.
Retrato trágico de un monarca. El inicio del filme (desde su coronación) parece predecir el fracaso de un inexperto y desinteresado mozuelo que de forma temprana le fue cedida la corona. Visconti hará así un repaso rápido de su monarquía, y sobre cómo los otros personajes, sus cercanos, serán contagiados de la infamia de Ludwig; un personaje frustrado tanto como mescenas, políticamente, sentimental, como sexualmente.