Auto-factory foreman Nino (Alberto Sordi) takes his proper, modern wife and daughters from industrial Milan to rural Sicily to visit his family and get back in touch with his roots in Alberto Lattuada’s devastatingly funny character study—equal parts culture-clash farce and existential nightmare.
This film is not currently playing on MUBI but 30 other great films are. See what’s now showing
A ridiculously under-seen film that is thankfully easily available thanks to Criterion. The film goes from a dark comedy in the first half to a deadly serious gangster pic in the second. Among my favorite films of the 1960s.
Alberto Sordi is wonderful as usual, and the film paints a nice portrait of a traditional Sicilian village.
I second Christopher's remark that it needed more energy, it moved a little slow in some parts.
Entertaining comedy from director Alberto Lattuada features a hilarious central performance from Alberto Sordi. Its biggest flaw is its leisurely pacing, it could have used a bit more energy at times - but the suspenseful final sequence is brilliantly conceived.
The direction of our lives is influenced not only by our own choices, but by the choices others make for us. The genius of Lattuada's film is how deftly he weaves those two together into Nino's story. In this case, Nino's 'side gig' is a precursor to our current globalized era in which work is routinely outsourced halfway around the world. The film also revels in the culture clash between northern and southern Italy.
Avec un constant humour désabusé et caustique et une interprétation haut de gamme d'Alberto Sordi, étonnant dans sa verbeuse exubérance et sa conciliante faconde, cette oeuvre transalpine faussement débonnaire, inédite en salles dans l'Hexagone, dénonce, mine de rien, la profonde et permanente gangrène de la religion, de la politique et du monde des affaires contaminés par la tentaculaire mafia.www.cinefiches.com