Truly an art film when it comes down to the nail, but no coffin to pummel into it with this vampire slasher film. The lead vampiress lends a would-be classic status to those who have had the pleasure of seeing it, driven to murder but performed in a survival rather than psychotic pounce on the prey. The surprisingly stable 'natural' relationship feels forced, but that's the point. Force into a double life.
A nearly forgotten oddball '70s horror flick with one of the most unusual takes on vampirism in movies, more "Martin" than "Dracula." Stylish and matter-of-fact at the same time with a sweet Cristina Ferrare as the lead murderess. A surprise cult find, if you can find it.