Enverad me encantaron los movimientos de cámara, las tomas, la corrección de color y el encuadre, pero principalmente el encuadre y los movimientos de cámara. La película fue de las que mas me gusto, Y SI me gusto la historia.
One of the best, if not the best West Anderson to date. Definitely at the top of his game. I think what I liked most was that it's his first film with child actors in the lead roles, and they nailed it. Really impressive given that this was both their first film, it's as if they were actually born in Wes Anderson's universe. I liked the change over to 16mm for this film too, had a nice grainy texture to it.
It's as though they took a scenario by Bergman and made it into a Disney film. Tilda Swinton's role is so insignificant, they didn't even give her character a name. Full of big name stars, like Bob Balaban, I got suckered into actually paying to see this film. I guess that trick always works. The only Wes Anderson film I liked was The Fabulous Tenenbaums, and I don't think it would stand up to a second viewing.
Anderson wants to tell human stories, but his approach is dehumanising. His aesthetic reduces characters to clockwork objects; actions & consequences pre-programmed to facilitate his particular system. While technique is enviable, it robs the work of life & spontaneity. It expects the audience to fall in love with its cutesy characters & quirky narrative based on a series of stylistic fetishes, but not actual depth.