An irreverent take on Mozart’s relations with the three Weber sisters: Louisa, whom he loved, but who didn’t love him; Constanza, whom he loved and married; and Sophie, who loved him but whom he didn’t love.
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Literally, a love movie, whose compositional structure it is not only a cinematic form but also a musical language, in which the presumed dialogues are replaced by the lyrics of the operas. Before chromatic backgrounds and image projections, runs a fiction of a fatal loving quartet that radiates drama, humor and inventiveness, that the real voices of the actors expands to a self-parodic realistic chill.