Despite being mostly shot in black and white and sepia, the film is alive with an unruly, uncentered and unprocessed feel of communal activity. Alexsei German orchestrates this action with masterful long takes and tracking shots. But unlike the employment of this technique by Tarkovsky or Tarr, German doesn't so much connect images along a meditative stream with his more roughhewn, often handheld camerawork as clash them in an animated clatter of incongruity, something resembling collage art.
Kevin B. Lee
May 24, 2009