6/10 (24.01. 2018). i like Sjömans plot, style (cause his similar view with Bergman), devils beauty of Bibi (in the same 1966 she has a short hair in Bergman's Persona, and now she with a long hair which is so rare for her next films) but i could not find that deep which i wanted to found here. But Ingmar marked this film very highly, because of his obsession feeling of voyeurism in Syskonbädd. And the last scene.