In 2005, Costa shot a 12-minute backstage rehearsal with Balibar for a short, then expanded the material for his feature. Shot in high-contrast black-and-white on digital video, Ne Change Rien is a masterwork of chiaroscuro lighting.
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After I watched this film for the three times in three consecutive days, I searched for the album. I found it. A major disappointment. I went back to the film, extracted the soundtrack. Now I listen to Costa's music and Costa's songs. Balibar's songs would have been the film shots with flooded light. Costa's songs are the film shots in silhouette. Costa is a master of cinema, image and sound.