Three people in Tokyo take a surreal voyage of self-discovery through memory and nightmares. “O” intends suicide while talking on a cell-phone with a stranger he meets on line who plans a simultaneous suicide. Events take a horrifying turn.
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Without getting into a philosophical digression that could not help but overstep the word-count limit, I want to assert that Nightmare Detective, while a reductive film about dream, is the greatest film of all time about the simultaneous pull toward and away from suicide, as well as about the kind of predatory sexuality the Japanese get so well. Shinya's casting of himself in Snake of June and here: best thing ever.
This was a really good movie, but like others have noted it does feel like the pilot to a television series. The last act of the movie shows Tsukamoto's cinematic prowess at the fullest. That scene where the horror is interrupted by abstract images and happy childhood days is beautiful and emotional; the sign of a director who knows what he's doing. I want to see more Tsukamoto, but one of his masterpieces next time.
Although this felt much more like a prologue to a story more than a complete film, it had many moments of eerie, nightmarish imagery. The way the "0" character moved and attacked within the dream world was the most effective aspect of the horror, otherwise it was kind of nonsensical and at times used bizarre funhouse-sounding techno music.
creepy and atmospheric japanese horror, it had its moments but those moments were rare. I wanted to like this more but I just found the acting to be not to my liking, some of these films are hit and miss and this one was definitely miss.
Despite Tsukamoto's trademark violence and weirdness this movie feels sort of half finished. There are some cool ideas in there but the budget does not meet the scope of the story nor does the eponymous detective get a worthy back story or screen time.
Pellicola girata discretamente e dall'incipit interessante. Peccato per il ritmo esageratamente altalenante e per una sceneggiatura che passata la metà del film si perde totalmente, quasi infastidendo per la sua inconsistenza.